rethink...
Aug. 12th, 2007 01:49 pmLove and imagination are magicians
Who create an image of the Beloved in your mind
With which you share your secret intimate moments.
This apparition is made of nothing at al,
But from its mouth comes the question,
"Am I not your Loved One?"
and from you the soft reply "Yes.Yes.Yes."
- Rumi Poetry
While it felt good to write out my argument with Rick - as chapter one of the new novel. I have reconsidered.
Firstly - because - i want the project to be completely clear of that emotional baggage starting off on a new project - - - and two - it is a bad karma choice for me to use anything that happened one on one private with him - even if it would feel temporarily good to do so. I'm bigger than that. So I've been brainstorming about how to start this new piece - and give my characters the total attention they deserve without projecting anything onto them. In the long run - I'll feel much better about the project. and it'll turn out better.
no subject
Date: 2007-08-12 11:12 pm (UTC)I certainly hope so. I find it rather startling that you would ever have even considered publishing such a thing.
I happen to have just finished House of Wolves and was wondering if you were planning to write another novel.
Relieved
Date: 2007-08-13 12:05 am (UTC)no subject
Date: 2007-08-13 03:12 am (UTC)no subject
Date: 2007-08-13 03:16 am (UTC)no subject
Date: 2007-08-13 03:31 am (UTC)no subject
Date: 2007-08-13 04:06 am (UTC)no subject
Date: 2007-08-13 03:16 pm (UTC)It does need quite a lot of editing, but the good news is that the edits are very local, usually contained within single sentences, and don't reflect larger-scale structural problems with the work. I don't know what kind of editing process you used, but it is generally necessary to have someone other than yourself edit a long work, because, as my SO put it, "you already know what it says" and therefore don't have the same reading experience as other people. That said, there are long stretches where you find your stride and the prose is strong and sustained, so it's obvious that this isn't a fundamental problem.
From a more personal perspective, the thing I found a bit odd about it is that it describes a perfect world with perfect men who lead perfect lives, with essentially no conflict other than what is necessary to sustain the broadest elements of the plot. So it ends up being an extremely formal work, more of a portrait than a story. You see the same thing in Brokeback Mountain - there, you have a story that is extremely sparse and unornamented, which is necessary because the story has never been told to that audience before.
In exploring a new form for romance, perhaps this is necessary in your case, as well, because for many readers there is no pre-existing background against which conflict and complexity can be evaluated. Being as close to the themes of the book as I am myself, though, it's a somewhat peculiar experience.
It's a good start. It seems to me that you've got what it takes, so all you have to do is keep exercising your skills.
no subject
Date: 2007-08-13 03:27 pm (UTC)But I really appreciate your comments Tony - as I know you are not one to hold back. It was purposely written as a portrait - a written out fantasy if you will.
I'm taking a novel writing workshop at SFSU this fall - and am starting novel #2. :) (The Book of Rough Metaphors) So - the encouragement to keep excercising is exactly where I'm headed.
Thank you!
no subject
Date: 2007-08-13 03:45 pm (UTC)no subject
Date: 2007-08-13 04:18 pm (UTC)